What’s Your Story?

by Becca Cavell

I recently attended a quietly inspirational SMPS event – a talk by Jelly Helm.  Here’s part of the SMPS pitch:

“You’ve seen his work with the Portland Timbers, Nike and Starbucks. He’s been featured in The New York Times, Fast Company and Men’s Health. Now, Jelly Helm comes to SMPS to share his passions on storytelling. Join us to learn the importance of storytelling in our A/E/C industry.”

I’m a fan of a good story and  after checking out Studio Jelly’s website I was intrigued to hear what he had to say.  He was actually very low key yet powerful. He disarmed us with some cute pictures of himself as a young child as he told us what we all know – how stories are an important part of learning and understanding our world. And how storytelling is becoming increasingly important in our professional world as we see the rising use of social media.

But he also talked about things I was less familiar with – he encouraged us to explore Joseph Campbell’s’ work, especially The Hero with a Thousand Faces and The Power of Myth, and Campbell’s assertion that ultimately all hero stories use the same basic plot device. And guess what – this device applies to our own narratives too! He introduced the concept of spiral dynamics. I tend to be turned off by mystical stuff, but Jelly is clearly inspired by it and he expresses a profound belief in humankind’s potential to transcend and become “whole” – he said “you have to step into your own story, into wholeheartedness.”  And we all know this is what makes something compelling – if you believe your story and have a conviction about the truth of what you are saying others will believe you too. Your passion will be evident.  Helm advises us to ask ourselves “what is our purpose?” and then to have the courage to reveal that purpose. Truthfully.

“No one can compete with me when I’m at a passion place – because I’m not even thinking about competing.” -Jelly Helm

Photo: Studio Jelly

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1253

What Pro Bono Work Has Taught Us

by Audrey Alverson

Pro bono architecture: Why do we do it?

Hacker has long been a signatory of the 1+ Program, which challenges designers to dedicate 1% or more of their time to pro bono service – but through trial and error over the years, we often found it challenging to bring this work to fruition. After a few fits and starts, and some mostly small-scale projects and studies, last year we decided to put some teeth to our commitment to pro bono service. Through this process, we’ve learned that the problem was never a lack of desire or good intentions, but more so a lack of planning.

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1245

Nurturing Growth in Lents Town Center

by Garrett Martin

On Sunday October 23rd of last year, we joined Bremik Construction and the Portland Development Commission to strike golden shovels into the ground and begin construction on the 9101 SE Foster project, a mixed-use multi-family building in the heart of Lents Town Center.

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Why Hacker Started Paying for Parental Leave

by Sarah Bell

This year, Hacker implemented a new paid parental leave policy, covering six weeks at full salary for birth mothers and about four and ½ weeks full salary for a spouse of the parent who gives birth (adoptive parents get the same). This is in addition to the flexible paid time off granted to every Hacker employee.

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A Saturday with Lou

by Scott Barton-Smith

Nearly half of the Hacker team caravanned north to attend the final day of the Bellevue Arts Museum’s retrospective Louis Kahn: The Power of Architecture on April 30th. Although the exhibit includes video interviews of notable architects enthusing Kahn’s work, we had a more interactive guide. Our firm founder Thom Hacker gave us a personalized tour of the exhibit, which includes several projects on which Thom collaborated with his mentor “Lou.” The exhibit features many models and drawings prepared by Kahn’s office spanning projects from the Esherick House to more well know works like The Salk Institute, The Kimbell Art Museum, and the National Assembly Building in Dhaka. The exhibit even includes a full scale reproduction of the famous window seat designed for the Fisher house. Much of this material has not seen the light of day since Kahn’s death and it is remarkable that the large yet delicate cardboard, clay, and wood models survived.

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University of Wyoming Visual Arts Facility Wins COTE Award

by Nic Smith

Hacker is a proud recipient of a 2016 AIA COTE Top Ten Green Projects award for University of Wyoming’s Visual Arts Facility (VAF), a pioneering LEED Platinum facility that has shaped a new approach to health, safety, and sustainability in arts education. The 80,000-SF building consolidates the University’s fine arts program from its scattered locations, establishing a central component of the campus’s new arts district. It also marks a turning point in the campus’s thinking about environmental responsibility. Read more

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From the Vaults: High Desert Museum

by Sarah Bell

When the Unitarian Universalist Fellowship of Central Oregon’s New Home had its dedication last year, I drove to Bend for the day with my two youngest boys, who were both under 5 years old. I arrived several hours before the dedication with both boys needing to expend energy built up over the 3-hour car ride. Not having planned on it, I took them to the High Desert Museum – not because I wanted to show them a Hacker building, but because I knew it would wear them out.

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1183

Designing for Design Schools: What type of collaboration space works?

by Becca Cavell

We’re excited to be working right now with UC Davis on the renovation of the north wing of Cruess Hall – a rather industrial 1950s building that will house screening rooms, labs, and maker spaces for the Cinema & Digital Media and Industrial Design programs. Some of these spaces will be quite industrial themselves, and seem a fitting use for the currently vacant building.  As we begin to look for case studies to inform our work, our client shared this video from Stanford’s D-School, showing 10 days in the life of the D’s central collaboration space. It’s time-lapse, and takes just four minutes to view – and it demonstrates how a very utilitarian space can be the beating heart of an institution if you plan it right, furnish it right, and relax a bit.

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Denny Hall Finally Gets Its Due

by Stephanie Shradar

At the University of Washington, Denny Hall has been awaiting revitalization for nearly a decade. During that time, Hacker has been working on and off again to get UW the final product. The project has gone through funding stalls and starts; the design firm has gone through two name changes; and the building has patiently awaited its new core.

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Hacker is Carbon Neutral

by Sarah Post-Holmberg

Hacker was founded on the idea that architecture should be in service to community. For over three decades the firm has designed enduring spaces that inspire people to contribute to positive cultural change. This guiding vision extends beyond humanity to encompass the natural world and the diversity of species it supports. Over the years, Hacker has developed an aesthetic for buildings that interact dynamically with their surroundings and make humble use of the earth’s resources. Through research, conference engagement, and continuing education, we continue to refine our design process, detailing, and material choices to reflect our priority of preserving the well-being of all life systems on our planet.

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Building Community: PCC Cascade’s New Student Union

by Nick Hodges

As higher-education institutions rapidly adapt their curricula and campuses to accommodate new models of learning, the line between places for studying and socializing, learning and leisure time has become blurred, to say the least. We’ve written about how that transition has prompted big changes in the conception and design of libraries, but it’s also led colleges and universities to reconsider the traditional role of the student union.

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